It is a clinic that is open to the city and, through a series of versatile bays and central courtyards, offers access to basic health services. 

The building plot is located in the immediate surroundings of Aveiro Municipal Stadium as a support structure for football practice and official games for the younger teams.

In 2015, Materia was commissioned to design a pavilion for holding social and cultural events, while integrating new architecture into the existing building.

Tapachula´s Railway Station was inaugurated at the beginning of the 20th century; with an eclectic and art deco appearance that by the seventies would become modernist.

This colorful and unexpected space aims to improve the day-to-day life of children and their families, with the intention of facilitating mutual encounters and accelerating their recovery.

Muf was commissioned by the City of London to re-design an inaccessible and under-used sunken play-area for under-5s contained within the Golden Lane Estate.

This center was to include fronton, basketball, soccer and volleyball courts, an open-air gym and a roofed gym, as well as workshop activities such as pilates and yoga.

The format they applied to the project drew its inspiration from a series of experiments conducted in the 1950s by a group of Modernist architects named “Project X.”

The work is an expression of materiality and space itself, where the architecture, developed by the office of Ambrosi Etchegaray, conceived a pavilion that in its transition across space and time benefits from its deterioration or its assimilation into the landscape, into nature, the origin of all things.

La Grande Motte is a popular seaside resort located in Southern France, in the arrondissement of Montpellier. The whole area was designed and built between 1960 and 1975 by one single architect, Jean Balladur. 

For the Amoreiras Towers project, Tomás Taveira has appropriately reduced the use of colour, choosing warm tones as the dominant palette for the project.

Spiritanian collections are an exceptional testimony to the life, traditions, art and beliefs of the people of Central Africa in the late 19th and early 20th centuries.

This partially ruined building,  a historical monument, had been abandoned for a very long time. Housed high up, on its promontory, it was a defensive castle before being a place of prayer, of retreat, chosen by monks aware of the absolute beauty of the site. Faith rallies to the sublime. 

Generating an accessible and unified complex was the main purpose of the intervention in Colín Sports Hall.

Named El Nido de Quetzalcóatl – in reference to a god with a serpent form in Aztec religion, the structure was completed in 2007 by Senosiain who describes the project as a work of organic architecture.